Posts Tagged ‘Tang Dynasty’

13
May 12

Tang Suit 

The term“tang suit”is originated from abroad. A Chinatown is a section of an urban area associated with a large number of Chinese within a city outside the majority. The local people always named the Chinatown as“town of people from Tang Dynasty”(唐人街)and called these Chinese“people from Tang Dynasty”(in Chinese唐人) since Tang dynasty was the most thriving, prosperous, splendid, and glorious period of ancient Chinese. Thus, the clothing worn by the Chinese is called“tang suit”.

Actually“tang suit”is not the clothing of Tang Dynasty. They are totally different. The origin of Tang suit or Tang jacket can be traced back to Qing Dynasty. It is evolved from Magua from Qing Dynasty, a traditional Chinese costume worn by males. It is a short tunic with high and round collars and lapels, which are fasten down the front. By the 1940s, what we now know as the Tang suit became prevalent for all classes in China. Compared with the ancient style, the sleeves had become longer and wider. Patch pockets were added and the number of frog buttons became standard at seven. This jacket was worn with matching pants.

The unified and prosperous China was established in the Tang Dynasty (618-907). In China’s history, the Tang Dynasty was a period when the polity and economy were highly developed and the culture and art were thriving.

Women’s dress and personal adornments of the Tang Dynasty were outstanding in China’s history. The clothing materials were exquisite, the structure was natural, graceful and elegant, and adornments were splendid. Though the forms of garments were still the continuation of the Han Dynasty (206BC-220AD) and the Sui Dynasty (581-618), they were influenced by cultures and arts of the Western Regions. Especially, the national power of the High Tang was strong. The trades and cultural exchanges with Korea, Vietnam, Japan, Persia and other countries gradually became frequent, and they mutually dispatched emissaries and accepted students of other countries. In this way, a special open and romantic style of dress and personal adornments was formed.

Because of communication with the Western Regions, the influence of dressing culture of other minorities on the Tang court also reflected the change of thoughts and concepts. The social status of ancient women was very low: they often served as Jileren (music performer), Guanji (official performer), Gongji (palace performer) and Jiaji (family performer), and were regarded as the playthings and goods that can be sold and bought by rich people. Some females had rebel spirit in the Tang Dynasty, so they climbed or jumped over the walls and went to the nature to view the beautiful scenes and/or go sightseeing in the spring by riding horses with men. Just as recorded by many historical materials, some girls therefore dressed as boys in order to go out.

The garments in the Tang Dynasty also greatly affected the garments of neighboring countries. For instance, Japanese kimono adopted the elites of the dresses of the Tang Dynasty in terms of colors, and the Hanbok (traditional Korean clothing) also adopted the advantages of the dresses of the Tang Dynasty. The dresses of the Tang Dynasty were mainly made of silk, so dresses were famous for softness and lightness. The dresses of the Tang Dynasty boldly adopted the features of foreign garments in terms of forms and adornments; i.e. they mainly referred to the garments of other countries (such as the Central-Asia countries, India, Iran, Persia, northern countries and the Western Regions) and used them to improve the culture of the Tang Dynasty.

Chinese Tang Dynasty the Taiping Princess Costume/Gown

Chinese Tang Dynasty the Taiping Princess Costume/Gown

 

Chinese Tang Dynasty the Emperor Royal Robe

Chinese Tang Dynasty the Emperor Royal Robe

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10
May 12

Tea Sets

Chinese tea culture has a long history and rich contents. And tea sets are considered as one of the inseparable parts of the tea culture.

In terms of the material, tea sets can be divided into such types as metal, porcelain, purple sand, lacquer, wood and bamboo etc. The gilded tea set possessed by Emperor Xizong of the Tang Dynasty unearthed from the Famen Temple in Shaanxi Province is a rare treasure of metal tea sets. Purple sand sets are believed to be most suitable for tea brewing. The purple sand tea sets produced in Yixing have proved the favorite among tea drinkers. The Yixing tea sets are characterized by their diverse styles, different forms and high cultural taste. These features made the tea sets stand out among all others in the world in ancient times. Later generations summarized the top three features of the tea sets as “retaining flavor in brewing, keeping color in storing and maintaining taste in hot summer”.

A good tea set makes good collector’s item, because it embodies the beauty of ancient Chinese sculptures, paintings and colors. At the same time, it’s an ideal carrier of culture. Tea drinking is a leisurely lifestyle and mindset. It’s great fun to get together, drinking tea and appreciating tea sets. The special interest ancient people had in tea sets reflected their pursuit of casual and quality life.

Chinese Porcelain Dragon Tea Set

Chinese Porcelain Dragon Tea Set

 

Chinese Porcelain Tea Set

Chinese Porcelain Tea Set

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2
May 12

Chinese Kungfu

Chinese Kungfu

Chinese Kungfu

A part of Chinese traditional culture, wushu is in many ways associated with the physical and social sciences. Following is an article written by Li Shixin, associate professor of wushu at Beijing University, on the relations of taijiquan, a major form of wushu, with mechanics, philosophy and other branches of learning.

The Mechanics of Taijiquan

The Mechanics of Taijiquan

 

The famous principle of “using a force of four ounces to overthrow a weight of one thousand catties” in taiji combat, exaggerated as it sounds, contains much scientific truth.

Taijiquan emphasizes the need to overcome hardness with softness and to win victory by artful means rather than by brute force. The “softness” and “artfulness” here imply an ingenious applicaton of force or, in mechanics phraseology, the use of minimum force for performing maximum work. This is particularly manifest in taiji tuishou (“push hands”) duels, which are basically contests of strength but whose outcomes are not determined by strength alone. A person who is inferior in strength is sure to lose a bout if he makes it a contest of power, but may emerge victorious if he knows how to use his force cleverly.

Some taijiquan classics describe the art of taijiquan in terms of “silk reeling power,” something that is constantly in circular motion. As far as the shape and posture of the performer are concerned, his trunk, legs and arms are all naturally curved to form a flexible whole that can react to external forces with a high degree of adaptability, now yielding to an incoming force while neutralizing or deflecting it, now launching an attack by concentrating its own forces on a single point, or, as is the way with an experienced fighter, by “borrowing” the strength of the incoming force to accomplish the feat of “overthrowing a weight of one thousand catties with four ounces.”

Taijiquan is performed with the arms and hands moving in curves. As we know, anything that collides with an object that is moving in a curve will be deflected, thus reducing the impact to varying degrees. That is why one can nullify the strength of an attack more effectively with circular moves than with linear counterblows. This is also the reason why a person skilled in taiji techniques can beat an opponent with superior physical strength.

Of course, while we underline the advantages of circular moves, we should never go to the extremes in using them. As the taiji maxims go, “Conserve your energy with circular moves before suddenly releasing it in a straight direction,” and “Store up energy like drawing a bow, and release it like shooting an arrow.” Generally speaking, one who is on the defence employs a lot of circular moves to meet and neutralize oncoming forces; but to stage an attack one has to collect one’s strength to deliver a straight blow from close in so as to achieve a most powerful effect.

Taijiquan movements are performed about the longitudinal, lateral, sagittal and numerous oblique axes — all in a well-coordinated manner. An accomplished taiji performer may not be a physicist, but in practice he must be applying a lot of mechanical principles, either consciously or unconsciously.

 

Taijiquan and Ancient  Chinese Philosophy
Taijiquan is a time-honoured scientific way of maintaining physical and mental health. It is an art for strengthening man’s organism, developing his intellect and ennobling his soul. Based on the theory of yin and yang and of the unity of man and Nature as expounded in ancient Chinese philosophy, it helps the self-actualization and physical and spiritual emancipation of man.

The word “taiji” first appeared in the Book of Changes (I Ching) and was later interpreted by well-known scholars like Zheng Xuan (127-200) of the later Han period and Kong Yingda (574-648) of the Tang Dynasty as the primordial qi that conglomerated in the universe before heaven and earth separated.

Zhou Dunyi (1017-1073), a philosopher of the Northern Song period, wrote in his Treatise on the Taiji Diagram: “Wuji gives rise to taiji. Taiji in motion generates yang and extreme motion begets stillness which generates yin. Extreme yin, in turn, results in motion. In this way, motion and stillness are locked in reciprocal causation.”

The authoritative book Shanxi’s Wang Zongyue on Taijiquan says: “Taiji was born of Wuji and is the mother of yin and yang.” A Classical Record of Taijiquan, also an authoritative work, says: “The two aspects of taiji include heaven and earth, yin and yang, closing and opening, motion and stillness, softness and hardness, bending and stretching, coming and going, advancing and retreating, life and death….”

These expositions about the opposition, unity and interaction between yin and yang have provided the theoretical basis for taijiquan. Application of strength in taijiquan, for instance, is such that the movements appear to be slow and gentle but are actually charged with powerful force — just like a steel rod wrapped in cotton.

Yin and yang are inseparable from each other; as extreme yin becomes yang and extreme yang becomes yin, the two transform into each other all the time. A similar relationship exists between emptiness and solidity in taijiquan movements: the two opposing aspects, coexisting in a single entity, are interdependent and interpenetrable, with each transforming itself into the other all the time.

In fact, all taijiquan movements contain a unity of opposites: advance and retreat, upward and downward, slow and fast, stretching and bending, opening and closing, forward and backward, right and left, releasing and withdrawing, rise and fall, inhale and exhale, pull and push….

Such a dialectical relationship also exists between motion and stillness in taijiquan exercise. There is stillness in motion inasmuch as physical movements are meant to induce mental calmness during exercise. Of course, motion is absolute and stillness is only relative. For one thing, taijiquan exercise always requires one to sink one’s qi down to the dantian region in the lower abdomen. Such an effort is regarded as a kind of motion of a high order.

The theory of taiji, with all its implications about the transformation of yin and yang and their contradiction and unity, is explained in writing in Lao Zi’s The Classic of the Way and Its Power (Tao Teh Ching) and graphically described in Zhou Dunyi’s Treatise on the Taiji Diagram. These simple yet profound philosophical ideas form the theoretical basis of taijiquan and serve as the guiding principles for the performance of all kinds of taiji movements.

To the minds of some Westerners, Oriental culture is a baffling mystery, and so is the Chinese art of taijiquan with its indescribable charm and grace. For them to appreciate the true value of taijiquan, it is necessary to know more about the philosophical ideas underlying it.

Taijiquan and Ancient Arts of Health Keeping

Taijiquan, as an excellent way of keeping fit, originates from ancient Chinese arts of health preservation.

Ancient methods of maintaining health may be divided into two main categories: static and dynamic, the distinction being whether or not physical movements are involved. Exercises of both categories can be dated back to very early times.

A historical record of the static exercise was found in an inscription on a piece of jade belonging to the Warring States Period (475-221 BC). Entitled “On the Circulation of Qi,” it reads: “This calls for a round of deep breathing. Draw a deep breath and conduct it downward for storage, extension, fixation and consolidation. Then the qi will grow up like a sprout and circulate in your body until it reaches the top of the head. Thus, you are identifying yourself with heavenly essence up above and with earthly essence down below. One who goes along with this law of Nature will live, otherwise one will die.”

The method described here was used by the ancients who lived in harsh conditions and whose muscles and bones tended to shrivel from the damp cold and scorching heat of the changing weather. Promoting the circulation of blood and qi, the exercise helped enhance man’s adaptability to the environment and improve his health.

Exponents of the static method of health keeping appeared galore in different periods. Lao Zi, a great thinker born about 600 BC and founder of Taoism, maintained that regular practice of the qi-circulation exercise would unblock the flow of blood, keep the body and limbs supple and build up resistance to diseases. Guan Zi (?-645 BC), a well-known statesman of the Spring and Autumn Period, pointed out that in performing the exercise, one must keep calm, cultivate concentration and purge one’s mind of distracting thoughts, so as to sink qi down to the lower abdomen. Zhuang Zi (c369-286 BC), a great interpreter of Taoism, considered quiescence as a way of curing ailments. Descriptions of nourishing qi in quietude and conducting the flow of qi with mental power can be found in abundance in ancient Chinese writings. Principles of Life Force, a classical book on static qigong, describes how qi circulates through various parts of the human body: “The internal qi comes bubbling up from the dantian region (below the abdomen), goes through the left ribs and left shoulder, rises to the back of the left ear and further up to the xuanguan point between the eyebrows to complete an act of inhalation. Moments later, the qi at the xuanguan point falls to the back of the right ear and further down to the right shoulder and the right ribs before going back to the dantian region to complete an act of exhalation.”

Such static methods of health keeping have been incorporated into taijiquan exercises. As stated in taijiquan manuals, a taiji exerciser must relax his abdomen, control his breathing, keep his mind quiet, his chin tucked in and head lifted, and let his qi sink down to dantian so as to hold the body in such a way that it is “empty at the top and solid at the base” — a posture that allows smooth breathing and alleviates tension. These requirements are very much the same as those which have to be fulfilled in ancient static exercises for health keeping.

An accomplished taiji boxer knows how to use his mental power to direct his intrinsic qi to various parts of the body so as to make it impenetrable to attacks. He is also able to direct the qi to that part of the body which he uses to attack so as to make his assaults more powerful.

Taijiquan also claims kindred with “daoyin,” an ancient form of dynamic health-building exercise that combines breathing with physical movements. The earliest example of daoyin exercises was found in the figures drawn on silk scrolls unearthed from a Han Dynasty tomb in Changsha, capital of Hunan Province. These drawings provide us with valuable data for the study of dynamic health-oriented exercises prevailing in ancient times. Many daoyin exercises were modelled after animal movements. Zhuang Zi, a book written by the ancient philosopher of the same name, says that “the bear climbs up a tree and the bird flutters its wings in pursuit of longevity.” Down through the ages the art of daoyin gradually developed into a complete system of health building methods. Hua Tuo (?-208 BC), a celebrated physician of the late Han Dynasty, created the “five-animal play,” a set of fitness-keeping exercise which imitated the movements of the tiger, dear, bear, ape and bird. This was later developed into a new set called “seven-animal play.” From the Tang Dynasty (618-907) on, there appeared many other variants of doayin exercises, the most notable ones being baduanjin (brocade exercises in eight forms) and yijinjing (exercises for limbering up the tendons).

As a form of wushu, taijiquan assimilates the essence of both the static and dynamic exercises. Thus the taijiquan classic Thirteen-Form Formula clearly states that in taiji exercises “there is motion in stillness,” “the intrinsic qi flows through the whole body without a hitch,” “the abdomen is relaxed and clear but full of soaring qi,” and “all movements of bending and stretching, opening and closing, are executed with ease.” Combining the features of ancient static and dynamic exercises, the taiji movements are slow and gentle, without exerting force to the utmost, the purpose being to activate the organism, to promote the circulation of qi and blood, and to achieve harmony between yin and yang, mental equilibrium and spiritual peace.

As a development of ancient static and dynamic exercises, taijiquan has become a unique health-oriented system in its own right. It is a valuable asset belonging not only to the Chinese people; with its value gaining wider and wider appreciation, it will benefit more and more people in the rest of the world.

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29
Apr 12

Lion Dance

The Lion Dance is one of the most widespread folk dances in China. The lion is the king of animals. In Chinese tradition, the lion is regarded as a mascot, which can bring good luck. The dance has a recorded history of more than 2,000 years. During the Tang Dynasty (618-907), the Lion Dance was already introduced into the royal family of the dynasty.

In the dance usually two people act as a lion: one waving the lion head and the other waving the lion body and tail; or one performer acts as a cub, while the other holds a silk ball to play with it. They dance in tempo to the musical melody.

 

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29
Apr 12

Traditional Costume of the Tang Dynasty

The Tang Dynasty that ruled from 618 AD to 907 AD played an integral role in the overall development of Chinese clothing. Women’s dresses from this period were often made of silk and used the design and construction techniques of other countries such as India and Persia to adapt to Chinese culture and life. Women’s dress and accessories became more elaborate, using fine materials and natural forms to reflect the changing visibility of women in Chinese culture.

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Chinese Tang Dynasty Gorgeous Queen Costume/Gown

Chinese Tang Dynasty Gorgeous Queen Costume/Gown

 

Chinese Tang Dynasty the Crown Prince Royal Robe

Chinese Tang Dynasty the Crown Prince Royal Robe

 

Chinese Tang Dynasty the Taiping Princess Costume/Gown

Chinese Tang Dynasty the Taiping Princess Costume/Gown

 

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15
Apr 12

Chinese Coin History

China is known for being the birthplace of paper money. However, this does not mean that it does not have a rich history in coins. For over 2,500 years, Chinese dynasties and governments have been casting and striking coins to fit the requirements of those in power. These coins are distinct from those in the Western world and prove a valuable addition to anyone’s coin collection
Origins
The Chinese first began using cowrie shells for money in 1800 BC under the Shang Dynasty. Metal imitations of the cowrie shells began to appear. These metal shells were placed on string and were known as “cash.” It is unclear when metallic coins first became available, though bronze coins from the Chou Dynasty have been found that date to around 400 BC.
Han Dynasty
The Pan Liang became the standard coin in China during the reign of Emperor Ch’e Wu-ti of the Western Han Dynasty. They were minted from approximately 140 BC to 118 BC. These coins were round with a square hole in the middle. Two Chinese characters can be seen on either side of the central square hole in this coin made out of copper. This design of coin became standard for all Chinese coins until 1911 AD.
Tang Dynasty
The K’ai Yuan coin was introduced under Emperor Kao Tsu of the Tang Dynasty in 618 AD. This coin differed from the Pan Liang and other coins that came before it as it featured Chinese characters on all four sides of the central square hole. These characters translate to mean the “precious currency of the K’ai Yuan era.” This coin was standard currency for 300 years until the collapse of the Tang Dynasty in 907 AD. This coin was the only denomination struck during this period.
T’ai P’ing Rebellion
In the 19th century, the T’ai P’ing Rebellion was a major rebellion against the imperial Chinese government. In 1855, the leader of the rebellion, Hong Qiuquan, had control of the southern and central provinces of China where the copper for coins was mined. Thus, the Chinese government issued emergency iron coins. These coins resemble coins from previous eras (round shape, square central hole and four characters on the coin), but they withstood time more poorly due to rust from oxidation.
20th Century
Chinese coins now resemble coins common in Western markets. The Republic of China initially issued round coins made out of nickel that removed the central square hole. The coins featured Sun Yat-sen, the founder of the Republic of China, on one side with the denomination of the coin on the reverse. Currently, the People’s Republic of China offers coins in one, two, and five fen and one and five jiao denominations. On one side, the coins feature the Tiananmen Gate, while the reverse features the denomination of the individual coin.
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8
Apr 12

The History of Money in China

The development of money in China reflects the country’s long and diverse history, with each new dynasty signaling political and cultural change. Tracing the history of money in China shows how the country has evolved from using the barter system to its current, sophisticated use of paper currency

Barter
Prior to the use of currency, the Chinese used the method of bartering, or the exchange of goods without the use of currency or money. The bartering system was in place from 9000 to 6000 B.C. The Chinese bartered with livestock and later used crops left over from harvest.

Cowry Shells
About 1200 B.C., the Chinese began to use cowry shells as currency. This marked a dramatic transformation from the bartering system to a currency system, where an item serves as the medium for exchange. The use of cowry shells did not take away the bartering system. Bartering occurred concurrently as a form of exchange during this period. In fact, Endymion Porter Wilkinson writes in “Chinese History” that the Chinese used cowry shells as money because of the value attached to these objects as they were “connected to fertility rites or beliefs.” Henry C. Koerper explains this connection in his paper, “Cowry Shells: Fertility/Fecundity Symbols in Southern Calfiornia Iconography,” which explains that the cowry shell symbolized fertility because of its likeliness to the female vulva.

Metal Currency
During the Zhou dynasty, cowry shells were cast in bronze and iron. Metal cowry shells were strung on double strands to be counted. From the fifth to the third centuries B.C., coins were made in bronze to model after spades and knives. The Warring States period introduced round bronze coins. The form was derived from a wheel, and each round bronze coin had a hole in its middle. The holes allowed the bronze coins to be strung together. The currency was unified during the Qin Dynasty in 221 B.C., and the banliang, a round coin with a square hole, became the official coin of the Chinese empire.

Silver
The Chinese used silver ingots, or solid blocks, during late imperial China. Before the imperial times, silver played a minor role in currency. Two recorded instances in which silver was used were during the reign of Han Wudi and in the Jin Dynasty. Silver as currency became more common during the Tang Dynasty. During the Ming and Qing dynasties, when imports from the New World increased, silver as currency was more widely used.

Paper Money
Paper money was introduced in China as Feiqian, or “flying money,” when tea merchants in the Tang Dynasty wished to safely transfer their profits. They purchased vouchers from liaison offices organized by the provincial governments. These vouchers served to guarantee cash when presented in the province. The first printed paper money was introduced in the Song Dynasty. The design of the print money showed a rabbit kissing a needle. The popularity of paper money was revived in the 19th century under Western influence.

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7
Apr 12

The History of Chinese Coin

China is known for being the birthplace of paper money. However, this does not mean that it does not have a rich history in coins. For over 2,500 years, Chinese dynasties and governments have been casting and striking coins to fit the requirements of those in power. These coins are distinct from those in the Western world and prove a valuable addition to anyone’s coin collection.

http://www.periimg.com/M/05160024.jpg

1636-1911 Imitation Chinese Coin

Origins
The Chinese first began using cowrie shells for money in 1800 BC under the Shang Dynasty. Metal imitations of the cowrie shells began to appear. These metal shells were placed on string and were known as “cash.” It is unclear when metallic coins first became available, though bronze coins from the Chou Dynasty have been found that date to around 400 BC.

Han Dynasty
The Pan Liang became the standard coin in China during the reign of Emperor Ch’e Wu-ti of the Western Han Dynasty. They were minted from approximately 140 BC to 118 BC. These coins were round with a square hole in the middle. Two Chinese characters can be seen on either side of the central square hole in this coin made out of copper. This design of coin became standard for all Chinese coins until 1911 AD.

Tang Dynasty
The K’ai Yuan coin was introduced under Emperor Kao Tsu of the Tang Dynasty in 618 AD. This coin differed from the Pan Liang and other coins that came before it as it featured Chinese characters on all four sides of the central square hole. These characters translate to mean the “precious currency of the K’ai Yuan era.” This coin was standard currency for 300 years until the collapse of the Tang Dynasty in 907 AD. This coin was the only denomination struck during this period.

T’ai P’ing Rebellion
In the 19th century, the T’ai P’ing Rebellion was a major rebellion against the imperial Chinese government. In 1855, the leader of the rebellion, Hong Qiuquan, had control of the southern and central provinces of China where the copper for coins was mined. Thus, the Chinese government issued emergency iron coins. These coins resemble coins from previous eras (round shape, square central hole and four characters on the coin), but they withstood time more poorly due to rust from oxidation.

20th Century
Chinese coins now resemble coins common in Western markets. The Republic of China initially issued round coins made out of nickel that removed the central square hole. The coins featured Sun Yat-sen, the founder of the Republic of China, on one side with the denomination of the coin on the reverse. Currently, the People’s Republic of China offers coins in one, two, and five fen and one and five jiao denominations. On one side, the coins feature the Tiananmen Gate, while the reverse features the denomination of the individual coin.

Sincerely hope this article will be helpful for you.

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25
Mar 12

How to Wear a Tang Suit

Tang suits are a traditional Chinese style of dress that originated during the Tang Dynasty. Both men and women wear this style of clothing, which often has a tunic-style jacket and matching pants. The colors and styles vary considerably, from bright colors with patterns to a simple and basic monochromatic look.

Black Cotton Set of Tang Suit

Black Cotton Set of Tang Suit

  • The jackets usually have seven frog buttons down the center, as well as on the sleeves, to keep the jacket closed.
  • Put on any undergarments that you wish to wear with your Tang suit. If the jacket does not close all the way consider wearing an undershirt.
  • Place your clean and wrinkle-free Tang suit on your body. If the suit has wrinkles consider having it steam cleaned before wearing it, as an iron could hurt the delicate fabric.
  • Button the frog buttons on the front of the jacket and the sleeves. Roll up the sleeves and/or pant legs if there is a contrasting color that you would like to show off.
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11
Feb 12

How to Wear a Tang Suit

Tang suits are a traditional Chinese style of dress that originated during the Tang Dynasty. Both men and women wear this style of clothing, which often has a tunic-style jacket and matching pants. The colors and styles vary considerably, from bright colors with patterns to a simple and basic monochromatic look. The jackets usually have seven frog buttons down the center, as well as on the sleeves, to keep the jacket closed.

 

Instructions

1
Put on any undergarments that you wish to wear with your Tang suit. If the jacket does not close all the way consider wearing an undershirt.

2
Place your clean and wrinkle-free Tang suit on your body. If the suit has wrinkles consider having it steam cleaned before wearing it, as an iron could hurt the delicate fabric.

3
Button the frog buttons on the front of the jacket and the sleeves. Roll up the sleeves and/or pant legs if there is a contrasting color that you would like to show off.

 

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1. How to use your Periwing Coupon Code? Please read the blog.

2. How To Choose Suitable Item On Periwing Website? Please read the blog.

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